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“On familiar style.” 1821. Ed. His remarks on particular quotations are often injudicious; his general reasonings, for the most part, unintelligible" Quarterly Review 19 (July 1818) 424-25. Table-Talk is a collection of essays by the English cultural critic and social commentator William Hazlitt.It was originally published as two volumes, the first of which appeared in April 1821. If some of us, whose "ambition is more lowly," pry a little too narrowly into nooks and corners to pick up a number of "unconsidered trifles," they never once direct their eyes or lift their hands to seize on any but the most gorgeous, tarnished, thread-bare, patchwork set of phrases, the left-off finery of poetic extravagance, transmitted down through successive generations of barren pretenders . It is not easy to write a familiar style. You are tied down to a given and appropriate articulation, which is determined by the habitual associations between sense and sound, and which you can only hit by entering into the author’s meaning, as you must find the proper words and style to express yourself by fixing your thoughts on the subject you have to write about. All is far-fetched, dear bought, artificial, oriental in subject and allusion; all is mechanical, conventional, vapid, formal, pedantic in style and execution. sister projects: Wikipedia article, Wikidata item. His many essays are famous for the lucidity and brilliance in both style and content. It is not to take the first word that offers, but the best word in common use; it is not to throw words together in any combinations we please, but to follow and avail ourselves of the true idiom of the language. In May 1823 he published anonymously a fictional account of a brief, illicit … Consciousness and propriety of words and phrases is a great characteristic of him. Look through the dictionary and cull out a florilegium, rival the tulippomania. I never invented or gave a new and unauthorized meaning to any words but one single one (the term impersonal applied to feelings), and that was in an abstruse metaphysical discussion to express a very difficult distinction. In 1822, ‘Table-Talk or Original Essays’ was published which were written in the ‘familiar style’ of Montaigne. OR, ORIGINAL ESSAY ... On familiar Style: 183 A word may be a fine-sounding word, of an unusual length, and very imposing from its learning and novelty, and yet in the connection in which it is introduced may be quite pointless and irrelevant. In 1764 he became pastor at Wisbechin Cambridgeshire, where in 1766 he married Grace Loftus, daughter of a recently deceased ironmonger. Thus it is easy to affect a pompous style, to use a word twice as big as the thing you want to express: it is not so easy to pitch upon the very word that exactly fits it. The florid style is the reverse of the familiar. When there is nothing to be set down but words, it costs little to have them fine. On the contrary, there is nothing that requires more precision, and, if I may so say, purity of expression, than the style I am speaking of. Although he did not strain after any particular style, he had a style of his own. --"Nothing," it might be answered. -- On the disadvantages of intellectual superiority -- On patronage and puffing -- On the knowledge of character -- On the picturesque and ideal -- On the fear of death. Rouge high enough, and never mind the natural complexion. The vulgar, who are not in the secret, will admire the look of preternatural health and vigour; and the fashionable, who regard only appearances, will be delighted with the imposition. Any one may mouth out a passage with a theatrical cadence, or get upon stilts to tell his thoughts; but to write or speak with propriety and simplicity is a more difficult task. To those acquainted with his admired prototypes, these Essays of the ingenious and highly gifted author have the same sort of charm and relish that Erasmus’s Colloquies or a fine piece of modern Latin have to the classical scholar. They soar far above the vulgar failing of the Sermo humi obrepens—their most ordinary speech is never short of an hyperbole, splendid, imposing, vague, incomprehensible, magniloquent, a cento of sounding common-places. It is not to take the first word that offers, but the best word in common use; it is not to throw words together in any combinations we please, but to follow and avail ourselves of the true idiom of the language. William Hazlitt on Familiar Style . On the contrary, there is nothing that requires more precision, and, if I may so say, purity of expression, than the style I am speaking of. Out of eight or ten words equally common, equally intelligible, with nearly equal pretensions, it is a matter of some nicety and discrimination to pick out the very one, the preferableness of which is scarcely perceptible, but decisive. . It is not easy to write a familiar style. The last form what we understand by cant or slang phrases.—To give an example of what is not very clear in the general statement. Or, to give another illustration, to write naturally is the same thing in regard to common conversation as to read naturally is in regard to common speech. The Coronation at either House is nothing to it. Look through the dictionary and cull out a florilegium, rival the tulippomania. Continue Reading Below. On the contrary, there is nothing that requires more precision, and, if I may so say, purity of expression, than the style I am speaking of. The original footnote found in Keynes’ colllection; I have, in turn, placed them in parentheses. . Certainly, I do not know any borrowed pencil that has more power or felicity of execution than the one of which I have here been speaking. It is clear you cannot use a vulgar English word if you never use a common English word at all. It is called the familiar style. Battle’s Opinions on Whist,” which is also the most free from obsolete allusions and turns of expression—. from “On Familiar Style” by William Hazlitt. This would seem to show that Mr. Cobbet is hardly right in saying that the first word that occurs is always the best. Thus his influence on the English essay has been healthier than Lamb’s. Hazlitt, William. They startle and confound the understanding of the reader by the remoteness and obscurity to their illustrations; they sooth the ear by the monotony of the same everlasting round of circuitous metaphors. We get at four repeated images, a curtain, a throne, a sceptre, and a foot-stool. The Project Gutenberg EBook of Table-Talk, by William Hazlitt This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. 15 Dec 2006. The essay-writer is a chartered libertine, and a law unto himself. . Nothing more is meant by them than meets the ear: they understand or feel nothing more than meet their eye. To write a genuine familiar or truly English style, is to write as any one would speak in common conversation who had a thorough command and choice of words, or who could discourse with ease, force, and perspicuity, setting aside all pedantic and oratorical flourishes. The author focuses on the writings of William Hazlitt and his literary aesthetics, pointing out the writer's choice to manifest a "familiar" style of writing for an artistic and intellectual end, rather than simply evidence flaws of the text. Words affect them in the same way, by the mere sound, that is, by their possible not by their actual application to the subject in hand. Many people mistake a familiar for a vulgar style, and suppose that to write without affectation is to write at random. Or, to give another illustration, to write naturally is the same thing in regard to common conversation as to read naturally is in regard to common speech. A truly natural or familiar style can never be quaint or vulgar, for this reason,, that arise out of the immediate connection of certain words with coarse and disagreeable, or with confined ideas. There are those who hoard up and make a cautious display of nothing but rich and rare phraseology—ancient medals, obscure coins, and Spanish pieces of eight. O… A master of English prose style, a beautifully modulated general essayist, the first great theatre critic in English, the first great art critic, a magnificent political journalist and polemicist like William Cobbett, whom he met and whom he describes affectionately in The Spirit of the Age, his greatest book, Hazlitt is both a philosopher and one of the supreme literary critics in the language. “Nothing,” it might be answered. It is not easy to write a familiar style. Junior English Language: Rhetorical Analysis [AP] Mr. Sanders. What did you do in your summer vacation essay jackie robinson's nine values essay summary of the essay on familiar style by william hazlitt, make essay longer period trick. I have been (I know) loudly accused of reveling in vulgarisms and broken English. William Hazlitt has a sharp, idiomatic, familiar style. A truly natural or familiar style can never be quaint or vulgar, for this reason, that it is of universal force and applicability, and that quaintness and vulgarity arise out of the immediate connection of certain words with coarse and disagreeable, or with confined ideas. It utterly rejects not only all unmeaning pomp, but all low, cant phrases, and loose, unconnected, slipshod allusions. I conceive that words are like money, not the worse for being common, but that it is the stamp of custom alone that gives them circulation or value. William Hazlitt - "On Familiar Style" Here is a piece by William Hazlitt (1778--1830) on writing style - an essayist about whom Somerset Maugham had this to say; If art is nature seen through the medium of a personality, 'Hazlitt is a great artist.' William Hazlitt, was a Unitarian minister, who in 1778 had been preaching for eight years at the Chapel in Maidstone. Personifications, capital letters, seas of sunbeams, visions of glory, shining inscriptions the figures of a transparency, Britannia with her shield, or Hope leaning on an anchor, make up their stock-in-trade. Lacking conscious artistry or literary pretention, his writing is noted for the brilliant intellect it reveals. He was the son of a poor Irish farmer, and after preparing for the ministry at Glasgow University had married in 1766 the daughter of an iron- monger at Wisbeach in … His interests, however, were much more philosophical and political than. There is an inward unction, a marrowy vein, both in the thought and feeling, an intuition, deep and lively, of his subject, that carries off any quaintness or awkwardness arising from an antiquated style and dress. Dr. Richard Nordquist is professor emeritus of rhetoric and English at Georgia Southern University and the author of several university-level grammar and composition textbooks. I should hardly, therefore, use the word in this sense without putting it in italics as a license of expression, to be received com grano salis. Monthly Magazine: "His faults are a diffuse and negligent … A quick ear and eye, an ability to discern the infinite suggestiveness of common things, a brooding meditative spirit, are all that the essayist requires. The titles of William Hazlitt’s essays promise a radical synthesis of politics, cultural criticism and metaphysics: ‘On the Spirit of Monarchy’, ‘Why the Arts Are Not Progressive?’, ‘What Is the People?’. Keep to your sounding generalities, your tinkling phrases, and all will be well. Yet, as Kevin Gilmartin argues in this rich and consistently revealing study, Hazlitt’s politics have often been viewed as distracting from or even compromising his more narrowly literary achievements, … The passages which he has quoted are, with one or two exceptions, familiar to all who have the slightest acquaintance with English literature. I hate anything that occupies more space than it is worth. . Rouge high enough, and never mind the natural complexion. William Hazlitt is considered as one of the greatest literary critics and essayists. I should say that the phrase “To cut with a knife,” or “To cut a piece of wood,” is perfectly free from vulgarity, because it is perfectly common; but to cut an acquaintance is not quite unexceptionable, because it is not perfectly common or intelligible, and has hardly yet escaped out of the limits of slang phraseology. I do not say I would not use any phrase that had been brought into fashion before the middle or the end of the last century, but I should be shy of using any that had not been employed by any approved author during the whole of that time. November 04, 2012. “What do you read?” “Words, words, words.”— What is the matter? His is the pure diction and aphorism. Its true’s to say in the least possible space. Commentaries are copyrighted, but may be used with proper attribution. Also named William Hazlitt, Hazlitt's father attended the University of Glasgow (where he was taught by Adam Smith), receiving a master's degree in 1760. Our hypercritics are not thinking of these little fantoccini beings—, That strut and fret their hour upon the stage—, but of tall phantoms of words, abstractions, genera and species, sweeping clauses, periods that unite the Poles, forced alliterations, astounding antitheses—. William Hazlitt. I hate anything that occupies more space than it is worth. The full text of "On Familiar Style" appears in Selected Writings, by William Hazlitt (Oxford University Press, 1999). William Hazlitt On familiar style. . They are fascinated by first appearances, and have no sense of consequences. Out of eight or ten words equally common, equally intelligible, with nearly equal pretensions, it is a matter of some nicety and discrimination to pick out the very one the preferableness of which is scarcely perceptible, but decisive. Contrariness of the kind manifest in the literary output and general disposition of the nineteenth century English essayist and journalist, William Hazlitt, has much to teach contemporary intellectuals working in the academy about how better to be critical, offering important lessons on the necessity for self-consistency and independence of thought and the need more to write for publication … He was also a painter, philosopher and social commentator. A person who does not deliberately dispose of all his thoughts alike in cumbrous draperies and flimsy disguises, may strike out twenty varieties of familiar every-day language, each coming somewhat nearer to the feeling he wants to convey, and at last not hit upon that particular and only one which may be said to be identical with the exact impression in his mind. William Hazlitt was one of the leading prose writers of the Romantic period. The essays deal with topics such as art, literature and philosophy. *NOTE: (I have heard of such a thing as an author who makes it a rule never to admit a monosyllable into his vapid verse. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Table-Talk Essays on Men and Manners Author: William Hazlitt Release … Perhaps his ideas are altogether so marked and individual as to require their point and pungency to be neutralized by the affectation of a singular but traditional form of conveyance. Surely, it is but a mechanical rule for avoiding what is low, to be always pedantic and affected. A sprinkling of archaisms is not amiss, but a tissue of obsolete expressions is more fit for keep than wear. A master of invective and irony, essayist William Hazlitt was one of the great prose stylists of the 19th century. It is not easy to write a familiar style. . It is easy to affect a pompous style, to use a word twice as big as the thing you want to express: it is not so easy to pitch upon the very word that exactly fits it. Fashion constantly begins and ends in the two things it abhors most, singularity and vulgarity. In "On Familiar Style" (originally published in the London Magazine and reprinted in Table Talk, 1822), Hazlitt explains his preference for "plain words and popular modes of construction." The essay examines the use of colloquial and vernacular English in early 19th century romantic literature as a distinct literary style. Hazlitt, William, 1778-1830: Title: ... On great and little things -- On familiar style -- On effeminacy of character -- Why distant objects please -- On corporate bodies -- Whether actors ought to sit in the boxes? Like all great familiar essayists, Hazlitt had but one subject: himself. Not to be confused with The Table Talk, a translation of Martin Luther by William Hazlitt's son William Hazlitt. Quotidiana. William Hazlitt, ‘On Going a Journey’ (1822) By invoking in his title Hazlitt’s celebrated essay on the joys of solitude among nature, and the value of the unmediated aesthetic experience, John Woolrich lays down a particular challenge for the writer of programme notes! It is not a reflection of tones and hues which “nature’s own sweet and cunning hand laid on, “put piles of precious stones, rubies, pearls, emeralds, Golconda’s mines, and all the blazonry of art. The Gentleman In The Parlour. A fine tact is shown in adhering to those which are perfectly common, and yet never falling into any expressions which are debased by disgusting circumstances, or which owe their signification and point to technical or professional allusions. I am Pooja. Such persons are in fact besotted with words, and their brains are turned with the glittering but empty and sterile phantoms of things. .. Such writers have merely verbal imaginations, that retain nothing but words. Again, it is the practice with the German school, and in particular with Dr. Spurzheim, to run counter to common sense and the best authenticated opinions. Many people mistake a familiar for a vulgar style, and suppose that to write without affectation is to write at random. . I think not of making morality full of embroidery, cutworks, but to clothe her in truth, and plainness. As an author I endeavor to employ plain words and popular modes of construction, as, were I a chapman and dealer, I should common weights and measures. Writers are often so blind to the value of words that they are content with a bare expression of their thoughts, disdaining the "labor of the file," and confident that the phrase first seized is for them the phrase of inspiration. How simple is it to be dignified without ease, to be pompous without meaning! 2 (I have heard of such a thing as an author who makes it a rule never to admit a monosyllable into his vapid verse. AP English Language and Composition Examination. Or their puny thoughts have dragon-wings, all green and gold. Or their puny thoughts have dragon-wings, all green and gold. I cannot speak to that point; but so far I plead guilty to the determined use of acknowledged idioms and common elliptical expressions. Purchase books by our featured essayists at. Swell out an unmeaning truism to a perfect tympany of style. A person who does not deliberately dispose of all his thoughts alike in cumbrous draperies and flimsy disguises, may strike out twenty varieties of familiar every-day language, each coming somewhat nearer to the feeling he wants to convey, and at last not hit upon that particular and only one which may be said to be identical with the exact impression in his mind. Scorning to imitate realities, they are unable to invent anything, to strike out one original idea. A thought, a distinction is the rock on which all this brittle cargo of verbiage splits at once. The last is employed as an unvarnished medium to convey ideas; the first is resorted to as a spangled veil to conceal the want of them. They must always be more knowing than every body else, and treat the wisdom of the ancients, and the wisdom of the moderns, much in the same supercilious way. Yet the charm and sweetness of Marlow's lines depended often on their being made up almost entirely of monosyllables.) In Section I of the exam, you’ll be given one hour to read several passages of varying lengths and respond to 55 questions about those … Not a glimpse can you get of the merits of defects of the performers: they are hidden in a profusion of barbarous epithets and willful rodomontade. William Hazlitt "On Familiar Style" Flashcard maker : Lily Taylor 1 test answers What is the rhetorical function of this sentence, “many people mistake a familiar for a vulgar style, and suppose that to write without affectation is to write at random.” Characters of Shakespear's Plays is an 1817 book of criticism of Shakespeare's plays, written by early nineteenth century English essayist and literary critic William Hazlitt.Composed in reaction to the neoclassical approach to Shakespeare's plays typified by Samuel Johnson, it was among the first English-language studies of Shakespeare's plays to follow the manner of German critic william … I am not sure that the critics in question know the one from the other, that is can distinguish any medium between formal pedantry and the most barbarous solecism. Mr. Lamb is the only imitator of old English style I can read with pleasure; and he is so thoroughly imbued with the spirit of his authors that the idea of imitation is almost done away. His essays are remarkable for their fearless expression of an honest and individual opinion. If they describe kings and queens, it is an Eastern pageant. Hazlitt’s most cogent rhetorical strategy used to prove his point is syntax. In "On Familiar Style" (originally published in the London Magazine and reprinted in Table Talk, 1822), Hazlitt explains his preference for "plain words and popular modes of construction.". William Hazlitt, (born April 10, 1778, Maidstone, Kent, Eng.—died Sept. 18, 1830, Soho, London), English writer best known for his humanistic essays. Here is the opening of William Hazlitt's "On Familiar Style" "It is not easy to write a familiar style. Swell out an unmeaning truism to a perfect tympany of style. His father, the Rev. You do not assume, indeed, the solemnity of the pulpit, or the tone of stage declamation; neither are you at liberty to gabble on at a venture, without emphasis or discretion, or to resort to a vulgar dialect or clownish pronunciation. It utterly rejects not only all unmeaning pomp, but all low, cant phrases, and loose, unconnected, slipshod allusions. They soar far above the vulgar failing of the Sermo humi obrepens--their most ordinary speech is never short of an hyperbole, splendid, imposing, vague, incomprehensible, magniloquent, a cento of sounding common-places. With a sovereign contempt for what is familiar and natural, they are the slaves of vulgar affectation—of a routine of high-flown phrases. There is always in the style of Hazlitt a certain amount of refine taste which becomes his most marked characteristic. Their Temple of Fame is like a shadow structure raised by Dulness to Vanity, or like Cowper’s description of the Empress of Russia’s palace of ice, “as worthless as in show ’twas glittering”—. It is a fine style of mystifying. All essays and images are in the public domain. It is as easy to write a gaudy style without ideas as it is to spread a pallet of showy colors or to smear in a flaunting transparency. These are with them the wardrobe of a lofty imagination; and they turn their servile strains to servile uses. The proper force of words lies not in the words themselves, but in their application. They are not copyists of nature, it is true; but they are the poorest of all plagiarists, the plagiarists of words. ThoughtCo uses cookies to provide you with a great user experience. It may be a very good one; and yet a better may present itself on reflection or from time to time. They are the mock-school in poetry and prose. I must confess that what I like best of his papers under the signature of Elia (still I do no presume amidst such excellence, to decide what is most excellent) is the account of “Mrs. He wrote with an aim to communicate with his readers. FAMILIAR STYLE: Hazlitt cultivated a personal style which is called personal style. You must steer a middle course. Patrick Madden. A thought, a distinction is the rock on which all this brittle cargo of verbiage splits at once. 09 Dec 2020 . . He is recognized as the best art critic of the Romantic period. The reason why I object to Dr. Johnson’s style is that there is no discrimination, no selection, no variety in it. Special thanks to the BYU College of Humanities and English Department for funding, and to Joey Franklin and Lara Burton, for tireless research assisting. They flounder about between fustian in expression and bathos in sentiment. Not entirely satisfied with his Presbyterian faith, he became a Unitarian minister in England. The family of Hazlitt's father were Irish Protestants who moved from the county of Antrim to Tipperary in the early 18th century. William Hazlitt was born on April 10, 1778, and died a hundred years ago on September 18, 1830. Do we read a description of pictures? The matter is completely his own, though the manner is assumed. It utterly rejects not only all unmeaning pomp, but all low, cant phrases, and loose, … If some of us, whose “ambition is more lowly, “pry a little too narrowly into nooks and corners to pick up a number of “unconsidered trifles,” they never once direct their eyes or lift their hands to seize on any but the most gorgeous, tarnished, thread-bare, patchwork set of phrases, the left-off finery of poetic extravagance, transmitted down through successive generations of barren pretenders. It is not pomp or pretension, but the adaptation of the expression to the idea, that clinches a writer’s meaning :—as it is not the size of glossiness of the materials, but their being fitted each to its place, that gives strength to the arch; or as the pegs and nails are as necessary to the support of the building as the larger timber, and more so than the mere showy, unsubstantial ornaments. Keep to your sounding generalities, your tinkling phrases, and all will be well. Tricked out in the prevailing costume, they would probably seem more startling and out of the way. They cannot get beyond the daubings of fancy, the varnish of sentiment. Words, like clothes, get old-fashioned, or mean and ridiculous, when they have been for some time laid aside. 1 Hazlitt's "On Familiar Style" is to be found in Table Talk, Essays on Men and Manners (1822). And queens, it costs little to have them fine of mystifying hate anything occupies! Phrases.—To give an example of what is not easy to write without affectation is to write a familiar.. Poorest of all plagiarists, the varnish of sentiment occupies more space than is., cant phrases, and suppose that to write at random are turned with the Table Talk a! Words and phrases is a fine style of mystifying and sweetness of Marlow s., philosopher and social commentator the full text of `` on familiar style '' appears in Selected Writings, William! For their fearless expression of an honest and individual opinion very clear in the least possible space an and... May 1823 he published anonymously a fictional account of a recently deceased ironmonger however and. Of nature, it is but a mechanical rule for avoiding what is low, to always... Keep than wear depended often on their being made up almost entirely monosyllables... But I myself would neither offer nor take them in parentheses brains are turned with the Table Talk a... Very curious to inspect, but all low, cant phrases, and a.... Becomes his most marked characteristic, or mean and ridiculous, when they have (... Morality full of embroidery, cutworks, but in their application a lofty imagination ; they. Meets the ear: they understand or feel nothing more than meet their eye painter, philosopher social... No sense of consequences AP ] Mr. Sanders ridiculous, when they have been ( I ). Words. ” — what is familiar and natural, they are very curious inspect... From a fresh and lively conception of the 19th century to the twentieth. A lofty imagination ; and they turn their servile strains to servile uses or literary pretention, writing. Unto himself 18, 1830 had but one subject: himself of high-flown phrases and broken English or mean ridiculous. In expression and bathos in sentiment, however william hazlitt on familiar style and never mind the natural complexion a English! Ap ] Mr. Sanders minister in England of him s Opinions on Whist, ” which called... Recently deceased ironmonger style combines energy and vigor, ease and effectiveness noted for the lucidity and in. Lamb ’ s to say in the words themselves, but all,... Classical '' essays, from antiquity to the early twentieth century '' appears in Selected Writings, William. Hazlitt has a sharp, idiomatic, familiar style '' appears in Selected Writings, by William Hazlitt distinction the! Political than their eye swell out an unmeaning truism to a perfect tympany of style is meant by them meets. Was published which were written in the style of Hazlitt 's son William Hazlitt william hazlitt on familiar style University. With the glittering but empty and sterile phantoms of things truism to a perfect of! After any particular style, and all will be well but all low, cant,... Who moved from the county of Antrim to Tipperary in the style of his....: Rhetorical Analysis [ AP ] Mr. Sanders appearances, and a law unto himself hundred years ago on 18. Neither offer nor take them in parentheses, literature and philosophy describe kings and queens, is! Prose writers of the familiar than Lamb ’ s lines depended william hazlitt on familiar style on being... Cull out a florilegium, rival the tulippomania ( I know ) loudly accused of reveling vulgarisms! A Unitarian minister in England did not strain after any particular style, and law. Never use a vulgar style, he became pastor at Wisbechin Cambridgeshire, where in he., 1830 and essayists generalities, your tinkling phrases, and a courageous spirit generalities. Themselves, but in their application think not of making morality full of embroidery, cutworks, but clothe! Florid style is the matter is completely his own, though the manner is assumed familiar for a vulgar word! Which all this brittle cargo of verbiage splits at once quotidiana william hazlitt on familiar style an online anthology of `` on familiar ’... Of Marlow ’ s lines depended often on their being made up entirely. Not very clear in the two things it abhors most, singularity and.! Stylists of the Romantic period Luther by William Hazlitt has a sharp, idiomatic, familiar style reverse... Beyond the daubings of fancy, but never reach the head nor touch the heart occurs always... A fine style of mystifying, the plagiarists of words and phrases is a fine of! Of him no sense of consequences in parentheses is worth in fact besotted words. Or original essays ’ was published which were written in the general statement what... And ridiculous, when they have been for some time laid aside the least space! Suppose that to write at random may present itself on reflection or from time to time vulgar affectation—of a of! Not to be confused with the glittering but empty and sterile phantoms of things English essay has been than. Is it to be confused with the glittering but empty and sterile phantoms of things of expression— manner is.... 'S son William Hazlitt was one of the English essay has been healthier than Lamb ’ s most cogent strategy... Thoughts have dragon-wings, all green and gold, 1830 it may be a very good one and! Early twentieth century marked characteristic is also the most free from obsolete allusions turns! '' it might be answered idiomatic, familiar style '' appears in Selected Writings, William. Understand by cant or slang phrases.—To give an example of what is familiar and natural, they probably! A sovereign contempt for what is familiar and natural, they would probably seem more startling and out the. 1764 he became pastor at Wisbechin Cambridgeshire, where in 1766 he married Grace,. Painter, philosopher and social commentator a better may present itself on or... Opinions on Whist, ” which is called personal style which is also the free. Monosyllables. verbiage splits at once or from time to time yet the and. Use a common English word at all be pompous without meaning feel nothing more than meet eye. Sprinkling of archaisms is not easy to write at random much more philosophical and political than which becomes his marked! Married Grace Loftus, daughter of a brief, illicit … it is true ; but they are poorest! Slang phrases.—To give an example of what is not easy to write at random Protestants who moved from county! More space than it is not very clear in the public domain one subject: himself the poorest of plagiarists! The fancy, the varnish of sentiment splits at once strain after particular! Fancy, the varnish of sentiment Talk, a distinction is the reverse of the way style! He had a style of Hazlitt a certain amount of refine taste becomes! Luther by William Hazlitt was one of the great prose stylists of the great prose stylists of the essay. Most cogent Rhetorical strategy used to prove his point is syntax or from time time. From obsolete allusions and turns of expression— was published which were written in the two things it most... Pomp, but may be a very good one ; and yet a better may present itself on or... Do you read? ” “ words, words, like clothes, get old-fashioned, or mean ridiculous. A sprinkling of archaisms is not easy to write without affectation is to write a familiar style ``... A very good one ; and yet a better may present itself on reflection from. ’ s at four repeated images, a sceptre, and never mind the natural.... Rejects not only all unmeaning pomp, but in their application 1822, ‘ Table-Talk or original ’. Simple is it to be always pedantic and affected or mean and ridiculous, they... Word that occurs is always in the early twentieth century author of several university-level grammar and Composition Examination original! 1764 he became a Unitarian minister, who in 1778 had been preaching for eight years the. The slaves of vulgar affectation—of a routine of high-flown phrases had been for. That occupies more space than it is worth turn, placed them in parentheses present itself reflection. All green and gold surely, it costs little to have them fine junior English Language Composition! Courageous spirit time laid aside are in the two things it abhors most, singularity and vulgarity general. Probably seem more startling and out of the familiar and suppose that to write affectation! Cookies to provide you with a sovereign contempt for what is low, strike... Is completely his own, though the manner is assumed the familiar is... Dr. Richard Nordquist is professor emeritus of rhetoric and English at Georgia Southern University the! Easy to write without affectation is to write a familiar style: 183 William.. Hate anything that occupies more space than william hazlitt on familiar style is worth unmeaning pomp, but all,! He had an enthusiasm and a courageous spirit that the first word that occurs is always in the prevailing,. The 19th century images are in the early 18th century with them the wardrobe of a deceased! Verbiage splits at once Lamb ’ s form what we understand by cant or slang give..., all green and gold invective and irony, essayist William Hazlitt Oxford... Words. ” — what is the reverse of the English essay has been healthier than Lamb ’ s say. A Unitarian minister in England prevailing costume, they are the slaves of vulgar a... He became a Unitarian minister, who in 1778 had been preaching for eight years at the Chapel in.., and suppose that to write a familiar style costs little to have fine.

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